About
About
I'm a junior at Princeton studying electrical and computer engineering, with a minor in dance.
Those two usually get introduced as opposites. In practice they're one habit. Both are timing problems, and both fail the same way: something upstream fires a beat late and everything after it inherits the error. A processor stalls because a control signal was never assigned in some state nobody tested. A phrase falls apart because the count is right and the intention isn't. In both cases the work is finding the thing that went wrong earlier than where it showed up.
Right now I'm on the product engineering team at HUROTICS in Seoul, a wearable rehabilitation exoskeleton startup, working on gait classification and the data infrastructure underneath it. During the year I lead design engineering on CRISIS!, an educational strategy game, and I'm president of Princeton University Ballet. My independent research, funded by the Lewis Center for the Arts and the Martin A. Dale '53 Summer Award, asks whether movement can be represented without the body in the frame.
What I look for is consistent: the point where two disciplines are forced to agree on something and don't. That's usually where the interesting decision is, and it's most of what's on this site.